After experimenting on the same type of paper, I concluded that black pen was not necessary is it may have tipped the piece over into looking very digital as opposed to constructional and drawn freehand. I used white pen in the end to allude to a sort of blueprint, additional structure that created a tension and dialogue with the initial structure, shapes and lines. This piece is now ready to take to the next meeting at Manchester Art Gallery so we can discuss where to place it and how best to display/hang it.
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